스킵네비게이션

Archive

Busan Biennale 2006

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 애장품

Read 10,870

관리자 2009-08-27 17:07

작가PORNTAWEESAK RIMSAKUL
Porntaweesak's inspiration for his work is derived from observing surrounding objects - their shapes, function or colors. Every detail contributes to his idea and imagination. The existence in the materialistic world makes him look at objects with magnifying vision and humor so he came up with the idea to miniaturize big objects to their undercuts.
Desiring to play with or change their functions, some works were imaginatively created to clarify some aspects of the visualisation of them :
“ I believe that an object doesn’t have only one dimension of form and working function. We have a right to consider it in the different views which harmonize with our imagination and believe that it can be alive (but this doesn’t mean a real life as human that has body and soul).
I realize that the human being is composed of body and soul, soul is a commander to control body movement while the object is merely equal to the body. When it moves, it becomes alive and also has soul which enables it to stimulate the human mind.”
For “Pet“, the work juxtaposes dreadfulness and amusement(smoking is usually associated with enjoyment and pleasure but in fact it is self destruction in disguise.)
- FM
TOP