스킵네비게이션

Archive

Busan Biennale 2006

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 지역 일회용 인쇄물의 표본 : 드랩 행어

Read 10,703

관리자 2009-08-27 15:52

작가NICOLE AWAI
Born in Trinidad and educated in the US, New York artist Nicole Awai belongs to a new generation of artists from the Caribbean now establishing their presence on the international contemporary art scene. Nicole Awai’s ouevre examines the subtle psychosis of cultural interpretation and re-interpretation. Social artifacts that she finds or that are given to her guide the examination. The drawings and paintings employ a visual kaiso (calypso), a tradition that employs humor and satire to comment on various and varying events. Awai’s oeuvre is focused primarily on three things: 1) multiplicity of perspective (the many at once), 2) the elasticity of time, 3) playing with the boundaries of hegemony, racial and colonialist or otherwise. The Biennial will include three drawings from "Specimen from Local Ephemera" series, which feature an amalgamation of contemporary and historical artifacts imbued with cultural significance. In these works Awai examines the way in which history dissolves, evaporates and reconstitutes continually and all at once in a state of constant flux a state mirrored by her allegorical and mutable visual strategies. As in many of her other works, a degree of humor is also integrated for its deflective and reflective possibilities.
- MC, NB, MD
TOP