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Busan Biennale 2006

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 A-bang-gung: A Jongmyo Occupation Projec

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관리자 2005-10-12 16:33

작가Ipgim
Island-'survivor' is the work that handles the underway case of " the victim women of sex selling claim the damages to government directly" at present. 'Survivor' is the expanded concept that is the woman from the circle of sex selling and the minority, survived people from pressure and violence.
It also supports, above all, the trial on survived and courageous women and sublimates a case like this as detonator on extermination of sex selling into the art action through the cooperation with foreign women artist group. (producing the poster and tour on Guerrilla girls in related on this case)
That is, 'survivor' tells the isolated situations of girls at present and also mentions a person's powerless life that is not escaped an inch of ground from the close sex selling structure. Therefore mono-dramatic performance is the resistant life performance that powerless person can't help fall resisting with the best helpless way. It is solitary self-made expression as the isolated island.
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