스킵네비게이션

Archive

Busan Biennale 2008

이전메뉴 다음메뉴

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 YAMAKAWA FUYUKI

Read 11,316

관리자 2009-08-27 17:20

작가YAMAKAWA FUYUKI
Yamakawa has a fascination with the functions of the human body, and especially the voice. He has conducted his own research on khoomei, the traditional throat singing of Tuva, a republic in the Russian Federation, which stresses the overtones of the human voice, occasionally producing a double-layered sound from a single mouth. In his performances, the sound of the heartbeat amplified using an electronic stethoscope is amplified with electrical equipment, and simultaneously given visual expression as blinking lights. In addition to the movements of the body that produce sound, Yamakawa has a strong interest in the relationship between voice and memory. The material for The Voice Over, a prominent example of this, is provided by the voice of Yamakawa Chiaki, a newscaster for Japan's largest private TV station and a voice that almost every Japanese would have encountered almost daily during the 1980s. This work is made up of news broadcasts by the newscaster before he died of throat cancer in 1988; conversations with his family recorded by the man himself, and a biographical monologue on his work and day-to-day existence. The sound therein symbolizes a certain era in Japan's history, and at the same time, for the artist Yamakawa Fuyuki, son of Yamakawa Chiaki, the "voice" is also the greatly missed voice of the man who held him as a child. The Voice Over is an attempt to share with others the presence of an individual no longer in this world, through the substance and texture of "vocals."
- AT
TOP