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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 Mein Tod Mein Tod

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관리자 2009-08-27 16:47

작가TERENCE KOH
Originally known as Asianpunkboy, Terence Koh has been prolifically productive in the queer-core underground for over a decade, producing art-porn zines and websites as well as art. His multi-disciplinary work evokes the moment of seduction and the pain/pleasure of desire. Koh's materials are punk-nasty, but his approach to them is classicist. Examining Koh's installations, sculptures, performances and creations in other media reveals both the diversity of his art and the queer, punk, and pornographic sensibilities that inform his creations. He reappropriates images from the Internet, magazines, and other artists in the service of a personal exploration that is by turn innocently sweet, sensual and rugged. The significance of each object he creates or appropriates is tied to both private narratives and a wider set of subcultural associations. The Biennial will feature the work “Mein Tod Mein Tod” a sculpture and performance that addresses the beauty and sublime transcendence of emptiness, the intertwining of all realms of life and death, and the constellations of dark matter that create the isolated worlds in which we live. It features a life-sized white marble tombstone, rendered as an entirely edible cake; a funerary ritual accompanies the sculpture, with two boys, dressed in white and chanting
- MC, NB, MD
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