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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 도로건설인부Ⅲ

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관리자 2009-08-27 15:51

작가KRITI ARORA
Kriti Arora uses diverses techniques, painting, sculptures, films and photography to examine issues of identity and exile; her narrative sources include history and memory combined with images of people to deliver sharp social and political commentary.
Kriti Arora’s photographic work tells us the story of a wound never healed : the separation of India from Pakistan in 1947, forcing millions of people to leave their homes ; The Road Builders serie is dedicated to another ≪ exiled ≫ population; the Bihari workers employed at the Himalayan road works, in the state of Jammu and Kashmir, the places of last war between India and Pakistan.
This serie of photographs evolved with the artist’s journey to her ancestral home.
For her, the road builders are metaphorical creatures: ≪ they combine forlornness, darkness with a sense of detachment; hallucinations of horror and yet brave fighters who are helping create linkages, helping build a bridge between the instinctive chaos. Courage and fear, anguish and hope, death and rebirth, the polarities of experience are written into their being. The figures and landscape that surround them thus become modern symbols of the polarities of human experience of the creative and destructive cycles coexisting.
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