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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 C-GENE

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관리자 2009-08-27 15:58

작가HEA-JIN JUNG
Many recently arising environmental and humanistic problems such as the natural resource exploitation and the disappearing middle class have become a too important issue for us to just pretend that they do not exist. So, instead of avoiding, I boldly express those issues through arts of harmony and disharmony, naivety and sophistication, and symbolization and contrasting under the title of “the ubiquitous unseen” ? Contemporary problems and conflicts are next to us everywhere, yet few of us care to see them. As much eccentric, satirical and somewhat provocative as the colors and shapes of my works are, the warnings and wishes implied in each work are urgent and desperate. In addition, besides plainly showing the problem, I emphasize the importance of keeping the potentiality, the something that never changes despite the unexpectedly fast changing and demoralizing world. For example, our conscious, pursuit of happiness and basic desires do not and should not change with societal advanc! es, and thus are what we want to keep intact through generations and generations.
- from artist's note
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