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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 BEOM SOO KIM

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관리자 2009-08-27 16:45

작가BEOM SOO KIM
Portrait resembles the photo that requires complex production process. The 'portrait' that KIM, Beom-su refers here makes a suitable subject for his recurring photo works. Within the concept of portraying process, the artist produces a serial work, and the configured essential qualities reflected as components of each work reveal the subject of the portrait. The recurrence that relates to the subject derives from that the model‘s gaze is as much carefully considered reflection as that of the artist. What the viewers are presented to : we see a serial composition of the same refracted forms like the strange subjects. It is the face where the gaze stops. However, what kind of problems does the artist concern about the face?
From the perspectives of Cioran's interpretation, the photo works of KIM, Beom-su were reconstructed after decomposed images that are created by reflection of mirror. It sometimes foretells the first step of a journey that began at this moment and also the guiding signs on everyone's lives. Jean Strobinski expresses that these portraits, represented as humorous portraits of the artist himself, are questionable portraits with the amplified strange feelings that fear sarcasm. The contrasting forms and materials complete the accidental situations, collections, and assemblage presented in KIM's works. They meet again in all places, times, and cultures in between the life and death.
- Bernard Gerbooud, Sept. 2000
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