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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2010 1. Parabiosis2. Haldane Rule Etchings-Beefalo 3. Haldane Rule Etchings-Cama 4. Haldane Rule Etchings-Habit 5. Haldane Rule Etchings-Liger 6.

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관리자 2011-04-11 23:07

작가Hugo Wilson
After completing an apprenticeship in painting at the renowned Charles Cecil Studio in Florence, Italy from 2000-2004, Wilson had a successful career as portrait painter. He went on to complete his MA in Fine Art at the City and Guilds, London in 2008. Wilson’s subsequent conceptual work has been concerned with exploring organizing systems, scientific principles and genetics. Fascinated by a Victorian sense of wonder, he often borrows from the aesthetic of the era, sometimes incorporating obsolete media and technologies. His work Parabiosisis concerned with the physical remnants of intangible emotional situations and also relates to the notion of co-dependence.
Wilson’s academic training enables him to use his traditionalist skills like drawing, painting and printmaking to express his more conceptual practice. His series of five etchings explore the genetic rules that were formulated by the British-born geneticist and evolutionary biologist., J.B.S Haldane (1892-1964). In this series of etchings he has developed a series of genetic anomalies: Beefalo, Zeedonk, Liger, Habit and Cama in response to Haldane’s rule.
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