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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2014 Yield

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관리자 2014-09-16 10:22

작가Humberto DUQUE

2013
Lemon-shaped timers laid out as baseball players on a field
Various dimensions

Yield

Humberto Duque studied at the Academy of Fine Arts, Karlsruhe, and currently lives and works in Mexico City. Duque¡¯s work is mostly centered on the bizarre and accidental space that emerges from the inconsistent and fragmented micro mise-en-scènes consisting of normal objects. In the installation Yield (2013) presented at Busan Biennale, Duque shows the relationship between the object and the space using trivial mundane things. Lemons are hung from the ceiling, and they are slowly rotating, making the space ambiguous and hallucinatory. The yellow lemons give the impression that they are floating in zero gravity space, they even give trompe l'oeil illusion of baseballs that are thrown in the air, revealing the immaterial space and transparency of post-kinetic art.
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