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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 The Moon is Asleep

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관리자 2016-08-23 11:23

작가Robin RHODE
Robin RHODE, <The Moon is Asleep>, Super 8mm film transferred to digital HD, 1' 50", 2015  ⓒ Courtesy Lehmann Maupin Gallery, New York, Hong Kong

Robin RHODE, <Blackness Blooms>, Super 8mm film transferred to digital HD, 1' 30", 2016  ⓒ Courtesy Lehmann Maupin Gallery, New York, Hong Kong

Robin RHODE
The Moon is Asleep

Robin Rhode typically uses common materials such as soap, charcoal, chalk, and watercolors to express an epic of beautiful life in performance, drawing, and video. The artist who expresses broad interests in social and political issues in his own way mainly bases his works on streets and enhances complex aesthetics to create beautiful wall drawings. His <Blackness Blooms> which is submitted to the exhibition was borrowed from the poetry of a South African poet Don Mattera, and by having a weak and vulnerable voice echoing in the screen, he describes the experience of being imprisoned in an interrogation room during the time when Apartheid reached its peak. Through a stop motion animation of a boy looking at symbolic images spread out in front of his eyes, the artist expresses power, identity, freedom and grace. In his other work <The Moon is Asleep> he describes the sorrowful days of losing a lover to illness as moonless nights, and delivers his lament and sorrow through an old man’s narration and the last word of the narration, ‘isolation’.
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