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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 No dust, No stain

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관리자 2016-08-23 11:17

작가Shinique SMITH
Shinique SMITH, <No dust, No stain>, Mixed midea, 300x500x500, 2006-2010

Shinique SMITH, <Gesture Ⅲ: One Great Turning 2015>, Digital video and sound, 9min. 37sec., 2015 © Shinique SMITH

Shinique SMITH
No dust, No stain

The three performance works of Shinique Smith are mainly about gestures, objects and conceptual inspiration. Her works were influenced by astrology, alchemy, mythical lyric poetry and movements of urban intersections. Created in collaboration with artist Gary Pennock, <Gesture III: One Great Turning>(2015) was filmed using aerial and ground videography in front of Smith’s mural <Seven Moon Junction>. Based on the artist’s personal history and events that influenced her life, the performance covers Smith’s paintings, large-scale installations and other performance works. It shows how she approaches the production of works and exhibition presentations well. She describes her childhood saying that ‘when she was a little girl, I learnt of the Sufi whirling dervishes, and in my innocence, I tried to dance like them. I would spin in the backyard in the hood in Baltimore until my mind was freed.’This experience of Smith served as the starting point of the project which expresses and expands the hypnotized movements of dancers in mural paintings. The dancers in the work wear costumes Smith made by drawing on parasols and large silk clothes. KAIROS Dance Company, which also had an idea similar to Smith’s, followed the spontaneity of her insight and contributed to the creation of this fascinating and dynamic collaborative work by adding some of the movements extracted from their existing work ‘Her’. Gary Pennock’s professional editing technologies and composition added perfection to the manifestation of Smith’s ideas in this work.
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