스킵네비게이션

Archive

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Imperial Courts

Read 9,132

관리자 2016-08-23 11:53

작가Dana LIXENBERG

Dana LIXENBERG, <Imperial Courts>, 3 channel video, colour, sound, 69min., 2015  
Courtesy of the Artist, Grimm and Huis Marseille, Amsterdam

Dana LIXENBERG
Imperial Courts

Dana Lixenberg’s <Imperial Courts>(1993-2015) project combines video work and an extensive series of black and white photographs to track how a small community in south-central Los Angeles changes. The photographs and video are creations that resulted from a broad and cooperative relationship she formed with the residents of Imperial Courts, the place she became familiar with while travelling around Los Angeles in the wake of the Rodney King riots in April, 1992. For more than 22 years from 1993 to spring of 2015, Lixenberg created an extensive portrait of the community, and turned her eyes away from the site of destruction to the typical lives of the people who become the center of attention only in the event of a calamity. Works created in Imperial Courts include 393 black and white photographs, a book published by Roma Publications in 2015, and also a 63 minutes long 3 channel video projection that runs on a loop. Life in Imperial Courts captured in Lixenberg’s film forms a wide spectrum, ranging from high drama and play to meaningless daily lives. It contains scenes of ordinary daily lives in urban cities in the USA which were oftentimes mocked as aberrant and extreme. Imperial Courts set against the unchanging background of an urban landscape creates continuity of a community, opposes sensationalism and spectacles, and choses sensitivity above all. Made with such an approach, <Imperial Courts>(1993-2015) recorded the lives of African-Americans and Latin Americans in various ways for 22 years.
TOP