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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Strategies of Success / Curator Series

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관리자 2016-08-23 11:34

작가Tanja OSTOJIĆ
Tanja OSTOJIĆ, <Strategies of Success / Curator Series>, Multimedia installation, Dimension variable, 2001-2004

Tanja OSTOJIĆ, <Naked Life 6>, Video of a performance, 40', 2016


Tanja OSTOJIĆ
Strategies of Success / Curator Series

Tanja Ostojic is a practical artist who conducts multifaceted studies and poses questions on issues the European society and the art world face by using various media such as performance, video, and photographs. <Naked Life>, which is one of her major projects, involves forming a strong bond with gypsies and prepares a venue for sharing and healing their deep sadness by exposing their colonial wounds to a platform where the local community and activists can engage in discussions. In particular, <Naked Life 6> which is submitted to the exhibition is a performance taking the form of a presentation to deal with issues such as gypsies’ life of poverty, social and political exclusion, deportation, racism, xenophobia and the like. Through this work, she poses an ethical question ‘how is it possible that a specific ethnic group is constantly exposed and deprived of human rights politically and socially in today’s modern European society?’
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