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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Hermit from the Planet Ⅱ

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관리자 2016-08-23 13:16

작가JIA Aili
JIA Aili, <Hermit from the Planet Ⅱ>, Oil on Canvas & mixed media, 450x800cm (450x266.7cm x 3개), 2016

JIA Aili
Hermit from the Planet Ⅱ

The northeast region of China is the heart of China’s heavy industry as well as a place where numerous historical events took place in China’s modern history. The northeast and the northern region have brought about China’s rapid economic growth earlier, but they suffered economic decline since the 80’s through the 90’s. As a result, the majority of heavy industry factories went bankrupt or closed down, leaving hundreds and thousands of factory workers change or quit their job. In a blink of an eye, absolute egalitarianism under planned economy of the past is transformed into performance-based market economy. The misfortune and desolation including the factory workers the society experienced became scars and pains of the times. The most salient part in the work of Jia Aili who thoroughly observed that particular time period, is the scene ‘in ruins’. In order to give the feeling of things being ‘in ruins’, Jia Aili paints machines and people dim and blurry in his work. This enables the viewers to imagine and feel the chaotic environment and the solitude of an individual. The lives of the people manifested in his paintings all carry a feeling of helplessness of the times, and humans are only left as weak and weary beings against the gigantic screen. His works make us reflect on our past and talk of a sad future in which we are forced to come to grips with reality. Despite the fact that the stage of Jia Aili’s new work <Hermit from the Planet Ⅱ>(2016)is set against the background of an endlessly wide and cozy screen, the feeling of being ‘in ruins’ consistently present in all of his works still remains.
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