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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Hyphenated lives

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관리자 2016-08-23 13:11

작가Reena KALLAT
Reena KALLAT, <Hyphenated lives>, mIxed media, 2016
Courtesy of Chemould Prescott Road, Mumbai and Nature Morte Gallery, New Delhi

Reena KALLAT
Hyphenated lives

<Hyphenated Lives>(2015-2016) is a reconfiguration of fantastical mutations taking place in nature. Various species of birds, animals, trees, flowers that symbolize different countries are hybridized to connect conflicts between countries by hyphens in a symbolic way. Reena Kallat felt the need to express the impact an existence or extinction of something can have on other species through the use of species other than human. The motif of the series of such works came from electric cables. An electric cable which transfers thoughts and information brings people together, and forms painstakingly woven entanglements that transform barbed wires such as barriers. Exploration of such independence and interdependence casts light on the relationship between the conflicted selves, neighbors and perhaps countries. It also makes us ponder upon many different relationships and boundaries that constitute our complex existence. The artist has continued works under the same context for many years, and <Two Degrees> which was presented at Campbeltown Arts Center in Sydney was the start of such series of works. The focus of the work expanded from her long-standing interest on politically divided yet historically close countries to natural resources that are at the root of conflicts and disputes between divided countries such as India-Pakistan, Ireland-England, Israel-Palestine, South Korea-North Korea, and the USA-Cuba. 
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