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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 In Transit

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관리자 2016-08-23 13:48

작가Lida ABDUL
Lida  ABDUL, <In Transit>, 16 mm film transferred to dvd, 4'55", 2008  ⓒ Courtesy Giorgio Persano Gallery
 
Lida ABDUL, <Time, Love and the Workings of Anti-Love>, Sound piece, photographic camera, 542 photos b/w, each approximately 3.7x2.6cm, 2013  
Courtesy of Giorgio Persano Gallery
 
Lida  ABDUL
In Transit
 
Lida Abdul is famous for her works related to Afghanistan, her country of origin. The landscape that mesmerized her in the land that suffered 35 years of war was traces of ruins. Her work <In Transit> (2008) is set in the outskirts of Kabul where the landscape is totally in ruins because of 20 long years of war. More than 70 children between 5 and 9 years of age are featured in the work. The children try to fill all the bullet holes in the fuselage of crashed bomber aircraft and pull it to make it fly like a kite in their efforts to transform the atrocities of war into hopes and a new future. Despite the tragic and violent situation they are in, the children are trying to neutralize such tragedy they are in through their innocence. Another work <Time, Love, and the Working of Anti-Love>(2013) is composed of a photographic camera, 300 passport photos and sound (a voice that delivers a poignant text beautifully but painfully). The presence of the voice, or its absence, makes her work shine more bright.
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