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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Rescue

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관리자 2016-08-23 13:44

작가Aya BEN RON
Aya BEN RON, <Rescue>, Mixed midea, 270x82cm, 2012  ⓒ AANDO FINE ART, Berlin

Aya BEN RON, <Guernica>, Mild steel, rust, 183x422x0.4cm, 2012
Aya BEN RON, <Anatomy Class>, Mild steel, rust, 280x322x0.4cm, 2011 ⓒ AANDO FINE ART, Berlin

Aya BEN RON, <Still-Life>, Cardboard, plywood, sound,72cm height, 90cm diameter, 2009

Aya BEN RON, <Sisters 1-3>, Mixed media on plywood, diptych, 240x113.5x10cm each, 2010 ⓒ AANDO FINE ART, Berlin

Aya BEN RON, <Sisters 4-5>, Mixed media on plywood, diptych, 240x160x10.5cm each, 2010 ⓒ AANDO FINE ART, Berlin

Aya BEN RON, Sisters 6, Mixed media on plywood, 240x180x10cm, 2010 ⓒ AANDO FINE ART, Berlin

Aya BEN RON
Rescue

Aya Ben Ron expands the unconscious memory of an ill body, perception of death and morality, and pain in a socio-historical context as much as possible. All of her works are based on the experience Ben Ron has accumulated over the years by thoroughly studying medical manuals and sketches, diseases and medical treatment. Ben Ron transcends the categorical boundaries of the two disciplines. Despite the obvious presence of death and pain in her work, no sentimental intervention or no glamorization of death and illness can be found. Aya Ben Ron keeps an emotional distance and uses a grim sense of humor to explore medical procedures in a socio-historical context as much as possible.
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