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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Requiem

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관리자 2016-08-23 13:26

작가Probir GUPTA
Probir GUPTA, <Requiem>, video installation, 244x306x130cm, 2016

Probir GUPTA, <We are in the same boat brother>, video installation, Dimension variable, 2012

Probir GUPTA
Requiem

<Requiem>(2016) manifests inhuman abuse of treating children, girls and women as sex slaves and forcing them to work like machines. Probir Gupta pays homage to sex slaves today through this work. Inscribed on the iron plates at the back of the work are names of flowers in memory of abducted women. This visually abnormal work provides metaphorical translation of human atrocities. <We are in the Same Boat Brother>(2012) reflects the Diaspora of Jews in India. It displays Hindus, Muslims and Christians coexisting peacefully and living a happy life in a dystopia among Islamic extremists. The guardians who manage Jewish synagogues are third generation Muslims. In the film, scenes that have structures of skeletons, objects, feedbacks from Israelis integrated in them can be witnessed. Having <The Old Man and the Sea> written by Ernest Hemingway as its reference book, the work was inspired by a real life situation of the Jews and Muslims coexisting peacefully and unthreatened on the busily crowded road of Kolkata.
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