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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2012 Journey through the mirror

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관리자 2013-03-25 12:47

작가Jong-Hee Choi

 
Journey through the mirror

< Journey through the mirror >by Jong Hee Choi is an artwork that 4 sides of exhibition walls are equipped with mirrors and a maze was installed the inside. To the artist, a space is objectively related between I and everything else besides me and subjectively spiritual inner world. When viewers enter an exhibit hall, they perceive themselves through the mirror but mirrors on the 4 sides innumerably reflect the image of them and appearance of other viewer makes it more complicated images. Intertwined relationship between I and others reflects our current society. The artist compares this complication to the maze installed in the exhibit. However, ultimately, there is a solution to the maze. The artist points out that among all the reflected figures, there is one entity that possesses a consciousness and she hopes us not to get lost in the woods and to find courage that help us to discover that entity.

 


 

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