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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 How to do nothing

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관리자 2016-08-23 18:22

작가WU Shanzhuan
WU Shanzhuan, <Large Barcode>, Color ink and poster color on rice paper, wooden bars, 131x78cm, 1990-1991

WU Shanzhuan, <Steal 1,000 Red from Super Market>, Color ink and poster color on rice paper and corkboard, 120x97cm, 1990-1991

WU Shanzhuan, <My red was bought from a Western super market>, Color ink and poster color on rice paper, 153x230cm, 1990-1991

WU Shanzhuan, <How to do nothing>, Color ink and poster color on rice paper, 205x115cm, 1993

[China]
WU Shanzhuan
Large Barcode
Steal 1,000 Red from Super Market
My red was bought from a Western super market
How to do nothing

As one of the earliest artists to realize the essential crisis during the ’85 New Wave Art Movement, Wu Shanzhuan has created many experimental works that engaged the vernacular of pop art and games that fabricated false Chinese character, commentary on the semiotics and semantics of language, focusing on dismantling the confinements of institutionalization and ideologies. The series Red Humor launched in 1986, aimed to bridge the absurd memories of the past with present reality. The work consists of segments of the Cultural Revolution posters, where the basic colors of the posters are painted on paper, displaying an impressive yet confusing effect. Without making specific references, his humorous and satirical approach reflect on political issues. Transcendental juxtapositions, chaotic orders all point to the final conception of the work, opening up new possibilities to conceptual art in China. In the early 1990s, Wu moved to Europe, and since 2005, he has been living and working between China and Europe. His works continue to adopt satirical linguistic games, symbolism, absurd images while conveying serious and profound meanings.
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