스킵네비게이션

Archive

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Project to Extend the Great Wall of China by 10,000 Meters: Project for Extraterrestrials No.10

Read 8,977

관리자 2016-08-23 20:10

작가CAI Guoqiang
CAI Guoqiang, <Project to Extend the Great Wall of China by 10,000 Meters: Project for Extraterrestrials No.10>, Three-channels video, 07' 33", 1993

[China]
CAI Guoqiang
Project to Extend the Great Wall of China by 10,000 Meters: Project for Extraterrestrials No.10

Cai Guoqiang began working with gunpowder in his art practice since 1984. During his time spent in Japan between 1986-1995, Cai continued to explore the possibility of using this material and gradually expanded the scale of the explosions, paving the way for his famous outdoor explosion projects. Project to Extend the Great Wall of China by 10,000 Meters: Project for Extraterrestrials No.10 explores the original function of the city wall, and the relationship between human beings to the great universe. Moreover, Cai has always realized his conceived notions through collaboration with others. More than hundreds of visitors and volunteers extend a ten thousand meters trigger and the gunpowder bag symbolizing the beacon posts, from the west end of the Great Wall at Jiayuguan to the Gobi Desert. Installed and lit at dusk, the light slit the horizon open like a flying dragon, as it trickled and spiraled, it disappeared above the snowy mountain. This project completed outside of the Great Wall lasted 15minutes, leaving an explosive line measuring over 10 thousand meters. It is also the most important work in the Project for Extraterrestrials. Other than gunpowder explosions, Cai Guoqiang’s art practice spans from painting, installation, video, performance and other artistic mediums, founded on Eastern philosophy and contemporary social issues, subjects to local circumstances, iterates and responds to local cultural history and society, nature and the universe.
TOP