스킵네비게이션

Archive

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Appearance of Crosses 1989-7

Read 9,252

관리자 2016-08-23 20:06

작가DING Yi
DING Yi, <Appearance of Crosses 1989-7>, Acrylic on canvas, 100x120cm, 1989

DING Yi, <Appearance of Crosses 1989-11>, Acrylic on canvas, 100x160cm, 1989

DING Yi, <Appearance of Crosses 1991-1>, Acrylic on canvas, 120x140cm, 1991

[China]
DING Yi
Appearance of Crosses 1989-7
Appearance of Crosses 1989-11
Appearance of Crosses 1991-1

As a pioneer in experimenting with abstraction in China, Ding Yi departed from the narrative in the 1980s to embark on a path of abstraction. Appearance of the Crosses series began in 1988, as the “cross” represented the unimaginable terminology and symbol in the printing industry. Ding Yi aimed to filter out all traces of reality in order to allow painting to return to its essence of form and spirit. His “cross” and the derivation of “x”, a meaningless symbol, are representations of structure and reason on the image that reflect the essence of the subject matter. Ding integrates common artistic mediums, transferring the “cross” direct onto the canvas that establishes different perspective and visual effects. The densely distributed “crosses” explore a spatial relationship of the image from a rational approach. The orderly distribution replaces the brushstroke while suggesting a habitual yet oppressed experience. Colorful lines or shapes scattered throughout the space on canvas, engendering rich yet arbitrariness within its inner logic. All of Ding Yi’s works are entitled Appearance of the Crosses followed by the year of creation and a serial number, documenting the urban transformation of Chinese industrialization in the post-socialist era, as well as to serve as an analogy of the mutual relationship between the universe and human order.
TOP