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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 B44, B45, B46

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관리자 2016-08-23 19:20

작가GU Dexin



GU Dexin, <B44, B45, B46>, Embroidery on canvas, 80x55.4cm, 72x58.4cm, 76.9x60.2cm, 1983



GU Dexin, <B08, B29, B47>, Oil on canvas, 64.6x49.3cm, 64.6x49.7cm, 69x48.4cm, 1983

[China]
GU Dexin
B44, B45, B46
B08, B29, B47

A pioneer of the Chinese avant-garde art in the 1980s and a member of the “New Measurement Group”, Gu Dexin has been wondering for an artist’s identity. His interests in the social functions of “relational aesthetics” made him believe that audience participation is critical in attributing meaning to a work of art. His earlier works consist of drawings, watercolor, embroideries and etc., revealing illicit animalistic qualities of the human world that is both illusory and dystopic. The B series included both the colorful surrealist element of oil painting; the frogs in human figures, the heads poking out of clouds or bushes, and the crude embroidered bizarre animals with human breasts. These imaginary human figures became the basis of his later sculptures, provided inspirations to the animation. In 1989, Gu participated in the exhibition Magicien de la Terre at the Centre Pompidou in France, which was marked as the first recognition of Chinese contemporary art in the West. With his increasing disdain of the art world, Gu stopped all artistic practices in 2009.
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