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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2016 Fen·Ma Liuming Walks the Greatwall

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관리자 2016-08-23 19:00

작가MA Liuming
MA Liuming, <Fen·Ma Liuming Walks the Greatwall>, C-p rint, 120x240cm, 1998  © artist

MA Liuming, <Dialogue with Gilbert and George>, C-p rint, 40.6x60.9cm, 1993  © artist

MA Liuming, <Dialogue with Gilbert and George>, C-p rint, 60.9x40.6cm, 1993  © artist

MA Liuming, <Fen·Ma Liuming Walks the Greatwall>, Single channel video, 21' 28",1998  © artist

[China]
MA Liuming
Fen·Ma Liuming Walks the Greatwall
Dialogue with Gilbert and George
Dialogue with Gilbert and George
Fen·Ma Liuming Walks the Greatwall

In the early 1990s in Beijing East Village, Ma Liuming created a persona “Fen • Ma Liuming” with female features in a male body, proposing a disconnecting and separation between genders. His identity and created roles were attributes of artist’s appearance and inner desires, by which to convey the absurdity, helplessness and bitterness of life. In 1993, the British duo Gilbert and George visited Beijing East Village during their exhibition in Beijing, Ma welcomed the duo with a performance – The Wall by Pink Floyd was played in the background, he stripped off his clothes, scanned his surrounding and noticed a crack on the ceiling. Suddenly, blood oozed out from it, poured over his body… Once young artists living in the Beijing East Village dispersed from the area, as one of the few artists who continued to work for performance art, Ma began to emerge in international exhibitions in 1996, and his liberal and lyrical expressions caught the world’s attention. The made-up Ma Liuming became “Fen•Ma Liuming” in Fen•Ma Liuming Walks the Greatwall, nude on the barren and monumental Wall. After 2003, he ceased all performances, and created his own method of painting, namely squeezing to extend the personas and stories on canvas.
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