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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Buyonghoe (Haeju Kim)

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관리자 2022-12-16 16:36

Haeju Kim
Busan Biennale 2022 Artistic Director
 
Buyonghoe was an association of Japanese wives who moved to Korea after marrying Korean men during the Japanese occupation. Many young Korean men who traveled to Japan during the occupation because of conscription, study, or business ended up meeting and marrying Japanese women. According to the estimated data, over 5,000 of these women came to Korea to escape aerial attacks in the late stages of the Pacific War or to accompany their husbands after liberation. In 1964, some of them came together to form an association called Buyonghoe, with the aim of helping one another. In 2005, the Kookje Daily News reported that while the Busan chapter of Buyonghoe had as many as 90 members at one point, the only surviving members at the time were very few in number and quite elderly. Those elderly members with no family to care for them went to live at the Nazareth Center, a long-term care facility in Gyeongju. In addition to bearing the brunt of resentment from Koreans for Japans colonization of the peninsula, Buyonghoe members in post-liberation Korea also became estranged from their family back in Japan, leaving them in a position where they did not fit in either place. Some who were unable to document their relationships were stripped of their citizenship after the Treaty of San Francisco in 1952; even though they had long lived in Korea, they were not entitled to social security benefits there because they were not Korean citizens. The name “Buyonghoe” is said to have come from the name of a Chinese flower (the cotton rose)the idea being that the association should be named for a third place that was neither Korea nor Japan.
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