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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Rubber workers' struggle (Haeju Kim)

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관리자 2022-12-19 10:37

Haeju Kim
Busan Biennale 2022 Artistic Director
 
At one time in history, Korea accounted for 20% of global shoe exports, and Busan was the main city for that industry. A nationwide boom in rubber shoes during the 1920s led to the emergence of rubber shoe factories, and thanks to Busans status as a port city with easy access to raw materials, it had around 70 registered shoe factories alone by 1949. The scale of Busans shoe industry would continue to grow, and by the 1990s, it had around 1,000 different shoe companies, including Hwaseung, Sehwa, Samhwa, and Gukje. Despite the high levels of technological capability, structural issues with the methods of affixing customer brands (OEM)which accounted for the majority of exportsand the impact of failed shoe factory investments overseas led to problems emerging around the mid-1980s, including bankruptcies, defaults, strikes, and wage nonpayment, and the scale of the industry declined substantially. Amid the wave associated with the democratization movement of 1987, workers began taking action to fight for survival rights in workplaces nationwide, and the rubber workers at the heart of Busans manufacturing began their own strikes and struggle activities. With the industry especially reliant on the manual labor of female workers, employees at Busans shoe factories began fighting back against issues including high-intensity, low-wage labor, wage nonpayment, acts of brutality, and the operation of company unions. Following the death of Kwon Migyeong, who committed suicide in 1991 to protest the unacceptable working conditions, these workers organized the Rubber Workers’ Council and began battling for better-working environments and the right to live.
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