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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 Successful Operation

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관리자 2009-08-28 10:09

작가Orlan
Since 1965, Orlan questions the statute of the body in society and the cultural, political and religious pressures which fit in the flesh. She uses the sculpture, the photography, the installation, the video, the performance, the new technologies and recently the biotechnologies. From 1990 to 1993 she made surgery-performances which were entirely put in scene and transmitted in several places in the world by satellite(Gallery Sandra Gering New York, Center George Pompidou Center, Mac Luhan Toronto etc...)
It was a question of putting figure on her face(image that she liked much) but not passing by usual standards of beauty. Orlan refuses the pain, the operations were made under local anaesthetics to stay awake, which enabled her to use the operating theatre like a studio of artist(drawings with her fingers and her blood, reading, performance in the room, direction of the video, the photography and the film). Many plastic works and photo or video installations are resulting from these performances. Orlan works between "the madness to see" and the "impossibility to see" because the images of an opened body are difficult to see.
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