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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 Jetty Series

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관리자 2009-08-28 09:57

작가Jill Trappler
The jetty is a simple structure, usually wooden in the artist's world, which conjures ideas about how we reach out further away from the solid ground, where the extent of the sea and all its mysteries meet the complexities of mans life on land.
The jetty that Jill Trappler sat on to make her drawings was very old, but quite safe, anchored deep in the mud. Many fishing boats had left from and returned to these salted planks and poles.
Time is held between comings and goings, energy is suspended and transformed into new action, adventure or home coming. These are simple places of reverence carrying much of what is essential to life; stillness and motion, sound and colour in air, water and shadow; breathe and touch; reflection and answer, knowing and discovery, nourishment and hunger, reality and dream. There is no excess in the moments of transformation.
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