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Busan Biennale 2008

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2008 LEE, Soo Young

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관리자 2009-08-28 09:53

작가LEE, Soo Young
“Once I went to the beach on the West Sea. I saw a round thing on the ground. I decided to find out from which country the can comes from and why it is there at that time. I will make a laboratory and awaken the fossil. The can which may be produced in a factory to endure time and space, will tell a story about the remote past.”
The artist starts restoration of the past from a can he happened to meet on the shore of the West Sea. In the way of chasing the past, the imagination and reality, past and present, supposition and reality are mixed together. By disturbing the place of record and historical memory, the artist reveals the frailty of the ideology. He searches for morals of sharing and coexistence instead of the void concept of the public.

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