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Busan Biennale 2004

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 Heaven to Earth

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관리자 2005-10-12 17:10

작가Toru Saito
A vertical structure creates a little different perspective by tilting it properly, and the aggregate of botanical figures, like the base of a tree trunk, is piled on a pillar placed horizontally. The angular, cold surface texture of the pillar with a pyramid-shaped top contrasts with the gentle and warm surface texture of the botanical figures. The juxtaposition of the geometric lines and the natural lines like this reminds us of the balance and harmony between men and nature and the one between civilization and nature. The artist brings to life the physical property of stone, which characterizes Japanese artists.

◦ Work Activities

- Personal Exhibition
· 1998 Norie Gallery (Tokyo)
· 1996 Norie Gallery (Tokyo)
· 1994 Atagoyama Gallery (Tokyo)

- Collective Exhibition
· 2003 International Sculpture Exhibition- Arte Spacio(Chile Santiago)
International Sculpture Symposium Fanano (Italy-Fanano)
· 2002 Internation Sculpture Meetings In Sprimont(Belgium Sprimont)
· 2001 Symposium International De Sculpture- Normandie(France Cerisy-La-Foret)
New Century International Sculpture Exhibition-Stone Sculpture Museum(Taiwan Hualien)
· 2000 Expo 2000 In Hannover Scholarship For International Stone Sculptors(Germany)
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