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Busan Biennale 2004

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 Something about textile

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관리자 2005-10-12 17:08

작가Ramon Berrios
The structure of textile woven with lines of longitude and latitude intertwined is magnified using granite as a material. Combining the pillars of straight lines and figures of curved lines, the work displays a kind of architectural structure. Once inside of it, you can have a novel visual experience. While the representational method of this work is to expose the hidden sublimity of a trivial object by enlarging it, the symbolic meaning of the textile structure is more important in this work. The bonding of different entities like lines of longitude and latitude suggests various spatio-temporal modus vivendi of objects.

◦ Work Activities

- Personal Exhibition
· 2000 Cuerpos Iiticos, Exhibition Hall, La Princesa B/D, San Juan, Puerto Rico
· 1997 Las Piedras Vivas, Campeche Hall, Museum of Art and History, San Juan, Puerto Rico

- Collective Exhibition
· 2001 Biennal of Iron, Puerto Rico Wood Sculpture Symposium,
Peru Wood, Stone and Iron Sculpture Symposium, Argentina
· 2000 1st International Symposium, Peru
· 1999 Christmas Evening at the MAC, Museum of Contemporary of Art, Uni. of Sacred Heart,
Santurce, Puerto Rico
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