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Busan Biennale 2004

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2004 Migrant Worker

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관리자 2005-10-12 17:07

작가Liang Shuo
This is the work of an artist who deals with the unique facial expressions and customs of the Chinese people through sculptures. This work depicts the eldest of the "8 Brothers", which is well-known for the detailed description of the different jobs and personalities of the 8 brothers in the family. Selecting as a subject matter the migrants who move to cities from their rural hometowns and the construction workers who live from hand to mouth, the artist seeks to represent the typical urban laborers. While this work shows the artist's outstanding power of observation and expression and draws smiles from viewers, it also gives viewers an opportunity to reflect on the human nature and the traditional family life that have been destroyed in the process of modernization.

◦ Work Activities

- Personal Exhibition
· 2002 Liangshuo's Sculpture Exhibition, Academy of Arts & Design Tsinghue Uni.

- Collective Exhibition
· 2003 Beijing International Art Biennale China Art Museum, Beijing Chinese Art Today,
· Millenium Art Museum, Beijing
· 2002 Golden Harvest "Chinese Contemporary Art", Contemporary Art Center,
· 2001 "Hot Pot" Chinese Contemporary Art Kunstnernes Hus Museum
China Art Now!" Chinese Contemporary Art, Singapore Art Museum
· 2000 The Third Shanghai Biennale, Singapore Art Museum
Second "Contemporary Young Sculptor Inviting Exhibition", Xihu Art Museum
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