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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Inside Out

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관리자 2005-10-12 14:19

작가Sugawara, Jiro
This artist has outstanding techniques as a stone work expert and he has a lot of inspiration toward stone when working. Though the structure and composition in his works delivers the extremely modern and somewhat dry feelings, viewers. The simple experience the talent of the artist in his environmental sculptures. The simple composition and the texture from materials, which is common in the Japanese art, are expressed carefully so that the unique properties of stone materials can be shown in great detail. The work, which this artist is planning to install in the Asiad Sculpture Plaza, has long holes on every edge of the 4-meter-high stone pillars and numerous wedges attached on them are supposed to be picked. This kind of method expressing the properties of materials gives the expression of dialogue and coexistence, rather than the physical analysis of the things in the nature or possessions made by humans
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