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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2002 Between the Worlds

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관리자 2005-10-12 14:15

작가Nolden, Rolf
The twin-sculpture BETWEEN THE WORLDS I schedule for the Busan Sculpture Project of six congruent cut in a certain perspective. They bear cuts, exactly measured, so that they can be stuck together, carry each other, and life each other into the surrounding space. Thus an optical lightness is achieved which contrasts with the massiveness of the material. not only the presented masses from the twin-sculpture, but also the space in between the two objects and the space between the three segment of each object. If viewed precisely these, again, form new elements of air and negative volume. The simple basic form of a perspective flat which is repeated on various levels in space, presents a multitude of visions when a viewer walks around the sculptures.
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