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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Kim Jipyeong

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BB2024 2024-12-02 13:54

Kim Jipyeong

Diva-Goth Singers, 2023, three panel folding screen: mulberry paper attached silk on wood panel, lace, microphone, and mixed media, approx.165x115cm, dimension variable.

Diva-Shamans, 2023, three panel folding screen: mulberry paper attached silk on wood panel, Hanji, microphone, and mixed media, approx.170x115cm, dimension variable.

Diva-Grandmothers, 2023, four panel folding screen: mulberry paper attached silk on wood panel, microphone, and mixed media, approx.165x155cm, dimension variable.

Mourners, 2024, three panel folding screen: mulberry, paper attached linen on wood panel, hamp cloth, paper amulet, straw strings, and mixed media, approx.165x125cm, dimension variable.

Soldiers, 2024, five panel folding screen: mulberry paper attached cotton on wood panel, iron plate, net, and mixed media, approx.80x90x150cm, dimension variable.

Musicians, 2024, three panel folding screen: mulberry, paper attached silk on wood panel, various part of musical instrument, and mixed media, approx.180x125cm, dimension variable.

 

Kim Jipyeong has explored the contemporary nature of materials through the support of her works and has questioned the traditional 'ways of seeing.' Recently, she has been reinterpreting the cultural significance embedded in the traditional mounting of East Asian paintings (books, albums, and scrolls) to re-formulate the thought system of tradition. In the folding screen series presented in this exhibition, she addresses the physicality contained in folding screens and the surrounding social/cultural perceptions. The folding screen, which serves to decorate and preserve East Asian calligraphy and painting, has a name for each part. The bottom is called Chima (skirt); the top is called Jeogori (traditional Korean upper garment); and the band on either side is called Somae (sleeve). Also, the finishing touches of cloth or paper on a completed painting are expressed as ‘dressing.’ Kim Jipyeong emphasises how these folding screens reflect the human body, with each folding screen representing a different persona. For the Biennale, Kim presents new works centring around the Diva (2023) series, created with figures, dance, and instruments that deliver various sounds alongside those created by composer Shin Won-young. The folding screens evoke grandmothers, soldiers, mourners, shamans, and singers, but also a community of festivity and joy, free from any fixed identity or hierarchy.
 
 
 
 
 
Kim Jipyeong
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