The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.
The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.
This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens.The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.
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BB2024 2024-12-02 10:37
Tape Music Mandalas/ Visual examples of Harmony design 1, 2005, watercolour on paper, 28x20cm.
Tape Music Mandalas/ Visual examples of Harmony design 2, 2005, watercolour on paper, 28x20cm.
Tape Music Mandalas/ Visual examples of Harmony design 3, 2005, watercolour on paper, 28x20cm.
Tape Music Mandalas, 2005, embroidery on satin, 70x70cm.
Original script of Tape Music, 2010-2021, watercolour on paper, 29.7x21cm (3).
Tape Music on Cité des Arts, 2007, video document, 5min.
Tape Music Ribbon and Rolls, 2010, 2012, satin ribbon, red wood, metal, 33x33x5cm, 60x60x80cm.
Tape Music, 2024, performance, 30min.
Talking Knots, 2024, sound performance, 30min.
Tape Music (2005-2021) is a participatory performance in which a complex sound work is produced in real time, a form of collective intelligence within which the autonomy of the individual is maintained. Mimicking and inverting the mechanical process in which magnetic tape is conventionally read by the recording head to produce sound waves, here a long tape is instead handed directly to a group of participants, who are invited to improvise a recitation of the anti-war poetry transcribed onto it, using different noise instruments. Initiated by Lin Chi-Wei in 2004 as a practical tool for informal collaborative sound composition, the original work was inspired by Futurist soirées, J.J.Lebel’s Polyphonix festival, and Taoist chanting. The system has continued developing, using different modes of synchronisation. Tape Music had its first interactive outing in Shanghai Biennale in 2012. In Busan Biennale 2024, documents such as musical scores, mandalas, and performance recording videos alongside weekly performances are presented.