스킵네비게이션

Archive

Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Zishi Han

Read 340

BB2024 2024-11-29 15:50

Zishi Han
Moths, 2024, HD digital video, light, colour, vibration, sound, 8min. 12sec.
Exuviae (3 a.m.), 2024, chains, cables, hardware, bass shakers, vibration, dimension variable.
 
In Zishi Han’s new installation Moths (2024), the artist has created an atmospheric installation which obscures our connection to light through observing and filming a moth in darkness. Slowly, the frame becomes so blurred from the image eventually being drowned in darkness. Form and background begin to merge. The video seems to dissolve and tests our eyesight. It is accompanied by a visceral vibration created through whirring sculptural forms made of chains and metal that heave as if brimming with life. The artist became interested in various observations by etymologists on the behaviour of insects, as a metaphor for the organisation and impulses of human behaviour. However, perhaps this metaphor speaks more aptly to the idea of a desire to project onto beings and systems in order to understand our own reflexes.

Previous

 
 
 
 
 
Zishi Han
TOP