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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


Pratchaya Phinthong

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BB2024 2024-11-29 11:34

Pratchaya Phinthong

Today will take care of tomorrow, 2022, single-channel video, colour, sound, 40min.

The Organ of Destiny (Assembly), 2024, polished lead and tin, electric wire, stainless steel, dimension variable.

 

The Organ of Destiny (Assembly) (2024) is a collaboration with Napia village, Laos. Melted UXO plates are used in reference to migratory cranes, an endangered species that lives in the Korean DMZ, another site still heavily ecologically impacted by the Cold War. Suspended electrical cables are a reminder of the powerlines which kill many cranes at the DMZ. Reconfigured, the UXO plates refer to the B-21 Raider, a stealth bomber developed for the US Air Force which had its first test flight in late 2023. Mostly undetectable on radars, the B-21 Raider is often identified as a small bird. Today will take care of tomorrow (2022), a video work installed with The Organ of Destiny (Assembly), refers to Paul Malimba’s poem on Laos’ history and nature’s capacity to absorb violence and heal. The video is an infrared view of a forest and an old Buddhist temple destroyed by the bombing in Laos.

 

 

 

 

 

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