The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.
The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.
This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens.The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.
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관리자 2022-12-16 14:32
b. 1979, Incheon, South Korea
Lives in Incheon
Oh Suk Kuhn uses photography to represent and record personal memories associated with Korea’s modern and contemporary history, majorly based in the city of Incheon, where he was born and raised. He applies his lens to explore the changing interiors and exteriors of Japanese-style homes (known in Korean as jeoksan gaok, which literally means “enemy property houses”) and the times and memories created by Korea’s experience with colonization, modernization, industrialization, and war; these are then woven together into a countermemory. His major solo exhibitions include Incheon (仁川) (Incheon Urban History Museum & Space Beam, Incheon 2019), From the Sea to Youth + Ash and Dust (179 & 180 Yeonji-dong, Jongno-gu, Seoul, 2012), and The Text Book (Chulsoo & Younghee) (Base Gallery, Tokyo, 2011), while major group exhibitions include Enemy Property (敵産) (Buyeon, Incheon, 2021), Lesson Ø (National Museum of Contemporary Art, Gwacheon, 2017), and Terra Galaxia, an exhibition in the collateral event City State of the Liverpool Biennial 2012.