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Busan Biennale 2002

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Busan Biennale

The Busan Biennale is a biannual international contemporary art show that integrated three different art events held in the city in 1998: the Busan Youth Biennale, the first biennale of Korea that was voluntarily organized by local artists in 1981; the Sea Art Festival, an environmental art festival launched in 1987 with the sea serving as a backdrop; and the Busan International Outdoor Sculpture Symposium that was first held in 1991. The biennale was previously called the Pusan International Contemporary Art Festival (PICAF) before it launched.

The biennale has its own unique attribute in that it was formed not out of any political logic or need but rather the pure force of local Busan artists’ will and their voluntary participation. Even to this day their interest in Busan's culture and its experimental nature has been the key foundation for shaping the biennale’s identity.

This biennale is the only one like it in the world that was established through an integration of three types of art events such as a Contemporary Art Exhibition, Sculpture Symposium, and Sea Art Festival. The Sculpture Symposium in particular was deemed to be a successful public art event, the results of which were installed throughout the city and dedicated to revitalizing cultural communication with citizens. The networks formed through the event have assumed a crucial role in introducing and expanding domestic art overseas and leading the development of local culture for globalized cultural communication. Founded 38 years ago, the biennale aims to popularize contemporary art and achieve art in everyday life by providing a platform for interchanging experimental contemporary art.


2006 Twilight

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관리자 2009-08-26 16:05

작가Susan Norrie
SUSAN NORI WILL BE one of the artists representing Australia at the Venice Biennale 2007. For many years she has been exploring the surface effects of painting. Since 2003, with Undertow as the starting pint, she has been absorbed in video works that suggest natural or supernatural phenomena, with subjects that arouse fear and at the same time inspire appreciation for the sublime beauty of natural disasters. Her work in the Busan Biennale. Twilight is the artist\'s interpretation of \'black mist\'. The term \'black mist \' was used by aborigines who were victims of the British atomic tests in the Maralinga Desert of south Australia in the 1950s and 60s. It refers to the radioactive fallout from the tests, and it symbolizes the devastating disaster human beings have brought upon themselves, the irretrievable environmental destruction, and the serious psychological shock. The images of aborigines in protest tents in Canberra overlap with the images of the government office building from the colonial era and with black-and-white film clips of the atomic tests. Together, they give a strong moral lesson.
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